FolkWorld Live Review by Marcus Metz
More than 70.000 people gathered in the pouring rain...
One of the worst summers in the past 30 years turned the Northwest of Spain
as well as the North of Portugal into a rough and wet landscape. Weather statistics
proof that the rain fall of July 2001 exceeded the annual average by 200% while
50% of the holiday makers cancelled their bookings! Visitors to the annual Festival
International do Mundo Celta in the nice fisher port of Ortigueira, situated
at the eponymous "ria" (a beautiful estuary), have been welcomed by loads of
heavy showers and highest temperatures of 22 Celsius - together with sandy beaches
and tall cliffs the whole environment reminded strangers very much of the North-West
of Ireland in the middle of a nice summer. Thin rain ponchos (for 100 Pesetas
or 60 Euro-Cent only!) were available in the town to give some shelter - but
still people enjoyed the atmosphere of Spain's largest folk festival, maybe
the most important music festival in the whole autonomous region of Galicia.
The
annual folk festival has been run by the municipal Escola de Gaitas (piping
school) and became bigger and bigger over the years. Due to the support of local
and regional bodies as well as commercial sponsors the festival has many well-known
acts on offer - without any entrance charge at all. There's even a free bus
service from the camping site to the town centre.
On Friday the 13th of July 2001 the first international act to be performing
on the main stage was "Kálmán Balogh & the Gipsy Cimbalom Band" from Hungary
replacing the scheduled Swedish act "Väsen" who played right after the Hungarians.
Balogh and his friends did a great job to cheer up the masses, while the performance
of "Väsen" didn't seem to harmonize with the character of the huge open-air
festival. I got the feeling that their rather lone Nordic fiddle sound got lost
in Ortigueira. One of Galicia's new stars, the bold Mercedes Peón, came up on
stage after "Väsen", showing an innovative performance: exceptional, up-front
and loud – perhaps not everybody's cup of tea but quite successful. "Texedor"
from Asturias (the region east of Galicia) showed up as Friday night's last
act and they did a mighty job, perhaps one of the best performances at the festival.
Although they presented a rather pure line-up their great pulse got right into
the guts!
Before the end of the performance people where driven away by heavy rain again.
It's been reported that a Northern German visitor couldn't find his tent in
the darkness and had to spent the whole night in a toilet on the camping site.
Saturday
afternoon saw several pipe and drum bands marching through Ortigueira, those
included the Scottish "Coldstream Pipe Band" and "Bagad de Nantes" from France
as well as Galician pipers. After the performances it was nice to see musicians
swapping instruments - a young Galician guy borrowed a Breton bagpipe to play
an Irish reel.
"Oskorri" from the Basque Country took over the main stage at the harbour around
11 p.m. Their show was very relaxed and professional, they even invited a group
of local female singers to join them. No doubt – you could feel that there was
the experience of decades on stage. Another remarkable live act that night was
Irish accordion player Sharon Shannon (together with the Kane sisters on fiddle).
She played many pieces from her Diamond Mountain Sessions album, including muneiras
from Galicia that got a fantastic response by the audience. Galicia's "Luar
na Lubre", one of the regions most successful bands, finished Saturday.
The festival ended on Sunday night with performances of "La Bruja Gata" from
Madrid, the traditional band "Na Lúa" from Galicia and the French-Canadian "La
Bottine Souriante", the latter being yet another outstanding act.
Despite of the merciless weather in 2001 ... one of the best places to be, if
you're fond of "Celtic" music performed by really professional artists.
Official website: www.festivaldeortigueira.com
Photo Credit: All photos by Marcus Metz
To the content of FolkWorld
Features
To the content of FolkWorld No. 22
All material published in FolkWorld is © The Author via FolkWorld. Storage for private use is allowed and welcome. Reviews and extracts of up to 200 words may be freely quoted and reproduced, if source and author are acknowledged. For any other reproduction please ask the Editors for permission. Although any external links from FolkWorld are chosen with greatest care, FolkWorld and its editors do not take any responsibility for the content of the linked external websites.