FolkWorld #67 11/2018
© Wikipedia, the free encyclopedia

Folk and Great Tunes from Latvia

CPL Music wants to give a first glimpse into the exciting world of Latvian folk music.

Folk and Great Tunes from Latvia
CPL Music travelled to Womex in 2017, and had to be forced by Lauma Berza (Tautumeitas, Lat- vian Music Information Center) to listen to traditional music of Latvia. Soon the latest albums of Tautumeitas and Auļi were published on the CPL label. Now the 2 CD set Folk and Great Tunes from Latvia gives an overview of the vivacious scene of that small Baltic republic that plays traditional folk songs such as dainas and the zither-like kokle (related to the Finnish kantele) in a contemporary way.

Ft. Auļi, Tautumeitas, Jauno Jāņu orķestris, Imanta Dimanta, Austrumkalns, Raxtu Raxti, Kanisaifa, Iļģi, ZeMe, Vētras Saites, amongst a couple of other up and coming ensembles.

Various Artists "Folk and Great Tunes from Latvia", CPL-Music, 2018

More Latvian Music @ FROG

Traditional Latvian music is often set to traditional poetry called dainas, featuring pre-Christian themes and legends, drone vocal styles and Baltic psaltery.


Traditional Latvian folklore, especially the dance of the folk songs, date back well over a thousand years. More than 1.2 million texts and 30,000 melodies of folk songs have been identified.

Dainas are very short, usually only one or two stanzas, unrhymed and in a four-footed trochaic metre. Lyrically, dainas concern themselves with native mythology but, in contrast to most similar forms, do not have any legendary heroes. Stories often revolve around pre-Christian deities like the sun goddess Saule, the moon god Meness and, most notably, the life of people, especially its three most important events - birth, wedding and death (including burial). The first collection of dainas was published between 1894 and 1915 as Latvju Dainas by Krišjānis Barons.

Latvju tautas mūzikas materiāli, translated in English as the Materials of Latvian Folk Music is the anthology and commentary of Latvian folk. It analysed 5999 items of Latvian ethnography published in 6 editions from 1894 to 1926 by the Latvian musicologist and composer Andrejs Jurjāns (1856–1922).

Latvju tautas mūzikas materiāli Sestā grāmata (the sixth book) was published posthumously in Riga, 1926. On page 1 latvju komponistu biedrības izdevums is inscribed, translated as the Latvian Society of Composers edition.



Accompaniment to the village songs is played on various traditional instruments, the most important of which is the kokles, a type of box zither related to the Lithuanian kanklės and other Baltic psalteries. In the 1970s, artists like Jānis Poriķis and Valdis Muktupāvels led a revival in kokles music, which had only survived in the Courland and Lettgallia regions. The Latvian-exile community abroad, especially in the United States, has also kept kokles traditions alive. In the last hundred years a new kind of kokles was developed, with many more strings, halftones levelers and other improvements that expand the capacities of the instrument to play not only modal music but, in other point of view, displeased more traditional musicians. This kind of instrument is called "concert kokles". However, there is currently only one maker of concert kokles left, though he is to begin training apprentices with the help of EU grants.

Choir music

Vētras Saites

Artist Video Vētras Saites @ FROG

Choir traditions are very strong in Latvia. Alongside many professional choirs, there are tens of thousands of Latvians who are part of different amateur choirs. Once every five years the Latvian National Song and Dance Festival takes place with around 20,000 singers taking part in it.

The 2014 World Choir Games took place in Riga.

Popular music

During the Soviet era, rock music became extremely popular, because it, as well as folk songs, offered a chance to rebel against the local authorities. Imants Kalniņš was the most important composer of the time, and his songs were extremely popular. He also wrote music for the movie originally called Četri balti krekli ('Four White Shirts'), later given the title Elpojiet Dziļi! ('Breathe Deep!'), which spoke about the need of freedom and was therefore banned. One of the most important social gatherings of the time was the annual Imantdiena ('The Day of Imants (Kalnins)'), forbidden on grounds of interfering with hay-gathering. The tradition continued informally at the composer's house.

The songs of Imants Kalniņš were best known as performed by the Menuets group which only played songs by this composer. Most of the members of the group moved on to form another group, Pērkons ('Thunder') later. Pērkons was a symbol of rebellion. They played fascinating rock and roll bordering on hard rock music, composed by band's leader Juris Kulakovs, using poems mostly written by Māris Melgalvs. Many of those were strongly disapproved by the Soviet authorities, as they implied the ridiculousness of the system. The most famous concert by Pērkons resulted in the destruction of a train compartment by the young people who had attended the concert. This, as well as other events, is portrayed in the movie Vai viegli būt jaunam? ('Is It Easy to Be Young?') by Juris Podnieks. Acts such as Pērkons certainly played an important role in the lives of the youth of the time and were a serious challenge to the Soviet system.

Nowadays, the pop music sphere is dominated by pop music (e.g., Prāta vētra, also known as Brainstorm) and alternative rock.

From Wikipedia, the free encyclopedia []. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

Text is available under the Creative Commons Attribution-ShareAlike License.

Date: October 2018.

Photo Credits: (1) "Folk and Great Tunes from Latvia", (2) Latvian stamp featuring Latgale kokles, (3) Vētras Saites, (4) Iļģi, (5) Tautumeitas, (6) Laima Jansone, (7) Kanisaifa, (8) Auļi (unknown/website).

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